Curious about what the process for FINE has been so far? Let me catch you up!
Step 1: Interviews!
Talk to people! Record the audio, or get their written feedback. I interviewed 52 people total for the project, from all over the Midwest including rural and urban areas of Wisconsin, Minnesota, Illinois, Indiana, Ohio, Iowa, and Michigan.
Step 2: Transcribe audio!
I chose to transcribe the complete…
- 3 days ago
Singular “they” is a correct gender-neutral pronoun! Don’t let anyone tell you otherwise.
And, there you have it! “They” is grammatically correct.
OMG, next time I want to publish something and they try to edit it out!!!
(via projectqueer)Source: transstudent
- 5 days ago
- 5 days ago
Writer Kim Long-Ewing and artist Rhea Ewing responded to our February “Communication” challenge with a sci-fi story about genetically modified people who communicate using bioluminescence. Coming t…
The queer dystopian scifi comic I illustrated is up over at the Randome!
- 1 week ago
Here is “Knot”, a short comic I drew to sell at Mocca and TCAF this year. The printed version is going to be SO PRETTY. I’m in love with the cover (which I will post later).
I just wanted to do something fairy-tale-like that talked about doubts and frustrations and how to deal with them. I’m really happy with how colorful and adorable the story turned out to be.
If you enjoyed “Knot”, please consider reblogging it and/or checking out my ongoing webcomic Namesake! HUGS TO ALL OF YOU!
Isa’s been showing me wips of this for awhile, look how pretty this is finished, ahhh!!
(via spx)Source: secondlina
- 1 week ago
I’ve always had this tendency to apologize for everything—even things that aren’t my fault, things that actually hurt me or were wrongs against me.
It’s become automatic, a compulsion I am constantly fighting. Even more disturbingly, I’ve discovered in conversations with my female friends that…
Oh, this is fantastic. Long post, but read the whole thing. Unlikeable heroines 4eva.
These are the “difficult” characters. They demand our love but they won’t make it easy. The unlikable heroine provokes us. She is murky and muddled. We don’t always understand her. She may not flaunt her flaws but she won’t deny them. She experiences moral dilemmas, and most of the time recognizes when she has done something wrong, but in the meantime she will let herself be angry, and it isn’t endearing, cute, or fleeting. It is mighty and it is terrifying. It puts her at odds with her surroundings, and it isn’t always easy for readers to swallow.
She isn’t always courageous. She may not be conventionally strong; her strength may be difficult to see. She doesn’t always stand up for herself, or for what is right. She is not always nice. She is a hellion, a harpy, a bitch, a shrew, a whiner, a crybaby, a coward. She lies even to herself.
In other words, she fails to walk the fine line we have drawn for our heroines, the narrow parameters in which a heroine must exist to achieve that elusive “likability.”